The Eagles played the War Memorial Auditorium in Rochester on March 19th, 1977.

Randy performed both “Take It To The Limit” and “Try And Love Again” at this show. According to the review, his high note in TITTL was “nothing short of amazing…and about three octaves above any sound human beings are usually able to sing.”

Monroe Doctrine (Monroe Community College), March 25, 1977


Eagles
Seattle Kingdome
August 6th, 1976

Linda Ronstadt and J.D. Souther opened.

The concert was attended by more than 50,000 fans. It was only the second concert in the newly-built Kingdome. The first was Paul McCartney & Wings in June.

Original concert poster

Cooper Point Journal, August 12, 1976

The sound was terrible in the giant venue unless you were seated directly in front of the stage. Fans who came to hear the Eagles’ perfect harmonies couldn’t hear them unless they were right up close. Patrick McDonald of the Seattle Times, noted that due to the size of the Kingdome and the number of people in attendance, the show resembled an “indoor Woodstock” with people milling around and friends sitting together passing pipes and joints. However, unlike Woodstock, the Kingdome was equipped with a giant video screen that hung near the stage:

“One major difference was the big screen, which did give everybody a good view of what was going on on stage. They were doing different things with than at the Wings show – split screen, dissolves, extreme close-ups, etc. It was like watching In Concert on a giant TV screen except the sound is better on TV.”

Patrick McDonald, Seattle Times, August 8, 1976

Footage

This video screen footage of the Seattle concert exists as a bootleg. Below I have included the video of Randy’s two lead-singing performances, “Midnight Flyer” and “Take It To The Limit.” Unfortunately, the beginning of “Take It To The Limit” has been edited out and it starts in the middle of the song. I have also included “One Of These Nights” because Randy was groovin’ through the whole song. A link to the entire concert is at the bottom.

“Take It To The Limit”

Listen to the end to hear Glenn Frey say “That was Randy Meisner, our bass player, hitting the high notes there. We love it every night.” Then Joe Walsh pipes in: “He can sing higher than that if he needs to.” (@2:36)


“Midnight Flyer”


“One Of These Nights” with groovin’ Randy and his eardrum-shattering high notes during the choruses at the end.

Watch the full concert here: https://archive.org/details/the-eagles-1976-seattle-wa

Reviews

Seattle Times, August 8, 1976
Cooper Point Journal, Evergreen State College, August 12, 1976

Andrew Gold opened both shows. Steve Miller made a guest appearance on the 19th.

June 19th

“Randy Meisner, the bass guitarist, lifted the show to a new level of excitement with his singing of ‘Take It To The Limit.'”
Scott Cain, Atlanta Journal-Constitution, June 20th, 1977


June 20th

“Bassist Randy Meisner gave an outstanding singing performance on ‘Take It To The Limit.'”
Bill King, Atlanta Journal-Constitution, June 21st, 1977

Eagles onstage, June 20th, 1977. Photo ©Kelly Campbell.

Review: Atlanta Journal-Constitution, June 21st, 1977

Randy at the Omni


EAGLES
Greensboro Coliseum, Greensboro, NC
June 27, 1977

Andrew Gold opened.

Greensboro Record, June 28, 1977


Randy handed out water to sweltering fans. His high note on “Take It To The Limit” was compared to opera soprano, Anna Moffo.

“Bassist Randy Meisner gave the crowd a good rush when he took a note in ‘Take It To The Limit’ that Anna Moffo would be proud to call her own. Meisner had a great rapport with the crowd. At least twice he came to the aid of fans sweltering on the front lines of the surging floor crowd with some liquid relief. They appreciated it and showed so by making him come to the mike to take a bow for his high note.”

Russ Edmonston, Greensboro Daily News, June 28, 1977

Notice that Randy is playing a black Hagstrom bass. A change from his usual Rickenbacker 4001 from the Hotel California tour. He played the black Hagstrom a few days earlier in Birmingham as well. Find out more about Randy’s basses here.


On March 18th, 1977, the Eagles played Madison Square Garden in New York City. This was the third date on the Eagles’ 1977 Hotel California tour. Jimmy Buffett was the opening act. Although this was the Eagles’ first appearance at Madison Square Garden, the band played the Garden’s smaller venue, Felt Forum, back in 1972.

For this sold-out appearance, the Eagles were backed by an orchestra for three songs: “Desperado Reprise,” “Wasted Time,” and “Take It To The Limit.” Three members of the Rolling Stones attended the concert: Mick Jagger, Ron Wood, and Bill Wyman. Wood accompanied the Eagles onstage for their last encore of Chuck Berry’s “Carol.”

An after-show party was given by Elektra/Asylum at the Garden’s Penn Plaza Club.

Praise for Randy:

“The event of the evening came with bassist Randy Meisner’s stunning vocalization of ‘Take It To The Limit.’ In addition to sing-along support from the total audience, he received a standing ovation after each chorus.” (Kristeen Nicholson, Record World, April 23, 1977)



Setlist
(Compiled from concert reviews)

Hotel California
Turn To Stone
Lyin’ Eyes
Doolin-Dalton/Desperado Reprise
(with orchestra)
Wasted Time
(with orchestra)
Take It To The Limit
(with orchestra)
New Kid In Town
Desperado
One Of These Nights
Turn To Stone
Already Gone
Life In the Fast Lane
Victim Of Love
Rocky Mountain Way
Welcome To The Club
Witchy Woman
James Dean
Take It Easy
Best Of My Love
Oh Carol
(with guest Ron Wood)


Reviews

Reviews for the show were mostly positive. Musically they were top notch, but had little or no stage presence.

Rolling Stone, May 5, 1977:

“Certainly the Eagles stage presence and show are not intended to drive anyone to the brink of Rollermania…the Eagles strike no rock & roll stage poses, flaunt no athletic grace, if anything, they loiter….

“The tunes — and the Eagles must be celebrated for their tunesmithing — were certainly fun to listen to. Don Henley, who has a problem drumming and singing at the same time (admittedly, not the easiest of ttasks), wasn’t miked loudly enough, a problem since he’s taken over most of the lead singing. But Randy Meisner’s tenor cut through the instrumental mix well, and Glenn Frey, the original California dreamer, was surprisingly forceful.” (Peter Herbst, Rolling Stone)

Record World, April 23, 1977:

Variety, March 23, 1977:

The After-Show Party

Among the guests were Faye Dunaway, Paul Simon, John Belushi, Dan Ackroyd, Linda Ronstadt and J.D. Souther. Although members of the Rolling Stones were present at the concert, they did not attend the post-concert party.

According to Rolling Stone magazine: “The guests dined on Mexican food, but only had one brand of cheap white tequila to wash down their tacos.”

Below: Glenn with Faye Dunaway and Joe with his mom.
Photos from Rolling Stone, May 5th, 1977:

Below: Glenn at the buffet table which included an ice eagle sculpture.


EAGLES
Sunshine Festival, Anaheim, CA, September 28th, 1975

Also on the bill were Linda Ronstadt and Jackson Browne.

Randy performed “Take It To The Limit” at this show in one of his first-ever performances of the song. On a more bittersweet note, this was the last concert to feature the original four members of the Eagles. Bernie Leadon quit the band shortly after the Anaheim show and the Eagles did not perform again for the rest of the year. When they returned to touring in January 1976, the band included Leadon’s replacement, Joe Walsh.

Below is Robert Hilburn’s review of the festival in the Los Angeles Times, September 30th, 1975. This is the first known mention of “Take It To The Limit” in a concert review (second to last paragraph). Randy also performed “Midnight Flyer.”


EAGLES
The Summit, Houston, TX
November 6, 1976

J.D. Souther opened the show and later joined the band onstage for “Best Of My Love,” which he co-wrote with Don Henley & Glenn Frey.

Houston Daily Cougar, November 9, 1976

The Summit had a four-sided video screen called a “Telscreen” which hung from the ceiling. Any band who came in to perform paid a flat fee for use of the Telscreen and received a videotape of the concert in return. These Telscreen performances were often bootlegged, hence the existing footage of the Eagles Summit show, which has never been released officially.

According to a March 5th, 1978 article in the Houston Chronicle, the Summit’s Telscreen production crew were known to add graphics to their video footage as it was happening. During concerts, they focused mainly on whoever was singing. This explains the footage of the Summit show, which included graphics between songs and very few camera angles.

At the show, Randy and Joe both wore white t-shirts bearing the logo for Criteria Studios in Miami where the band was finishing up Hotel California at the time. In fact, the previous night’s show in Baton Rouge was held up for two hours because the band was late arriving from Miami.

In 2006, Randy recalled the grueling touring and recording schedule from this period:

We had to go out on the road while we were doing that album and then go back to Criteria Studios in Florida to finish itWe went back and forth a lot…wanted to get the tracks right and mixed right. We knew the album was special.

Interview with Ken Sharp, 2006

The less-than-complimentary review in the Houston Chronicle noted that the band looked and sounded “frayed around the edges,” this was perhaps due to their touring/recording schedule from the time period.

Below are Randy’s two lead-singing performances from the concert:

“Take It To The Limit”

“Midnight Flyer”


Click the link below to watch the concert in its entirety:
Eagles, Houston Summit, November 6, 1976


EAGLES
Convention Center Arena, San Antonio, TX
November 2nd, 1976

J.D. Souther opened for the Eagles.

“The turning point of the show occurred when Randy Meisner, bass guitarist, sang Take It To The Limit.’ Meisner reached incredible high, sustained pitches with his strong, forceful voice that just sent shivers up the crowd’s spines. Crazed fans screamed and dashed toward the stage, where they remained until the end of the concert. Meisner received a standing ovation that lasted several minutes. When he realized the crowd wouldn’t stop, he danced and skipped around the stage which made the audience applaud even more.”

The Ranger (San Antonio College), November 12, 1976