Houston Music Theater
December 27, 1969

Houston Chronicle, December 26, 1969

Below: L-R: Randy Meisner, Rick Nelson, and Allen Kemp

Photo by Larry Lent (via Rockin Houston)

Rick was interviewed the UT/Austin newspaper, The Daily Texan, in the dressing room before the Houston show. Tequila sours were passed around, but Rick declined. The band members were asked what they thought of Rick as a person and performer (no band members were mentioned by name): “A sensitive and fair, understanding and easy-going guy.” The article also included a less-than-positive review of the show. The reviewer felt that Rick exuded no personality and just stood there and sang. He was also criticized for singing too much country and western and not enough of the earlier hits he was known for.

The Daily Texan (Univ. Of TX/Austin), January 7, 1970

Below: Rick backstage with local Houston rock photographer, Larry Lent.

Photo via Rockin Houston

The Summit, Houston, TX
February 12, 1981

Randy opened for The Beach Boys in his first concert appearance in two-and-a-half years.

He gave a memorable performance, as witnessed by Dale Adamson, from the Houston Chronicle, who felt Randy’s set was the “bright spot” of the whole evening:

“The only real bright spot to Thursday’s show was ex-Eagle Randy Meisner’s opening set. Although he hasn’t quite developed into a forceful bandleader yet, his group’s tight harmonies and bright country rock sound–particularly on tunes like ‘Heart’s On Fire’ and ‘Trouble Ahead’–provided the only fully satisfying musical moments in an otherwise altogether forgettable evening.”

Adamson interviewed Randy backstage after the concert. Read the full interview here.

Houston Chronicle, February 14, 1981

Randy gave a rare and candid interview to the Houston Chronicle following the concert. Read the full interview below:

The Summit, Houston, TX
November 6, 1976

J.D. Souther opened the show and later joined the band onstage for “Best Of My Love,” which he co-wrote with Don Henley & Glenn Frey.

Houston Daily Cougar, November 9, 1976

The Summit had a four-sided video screen called a “Telscreen” which hung from the ceiling. Any band who came in to perform paid a flat fee for use of the Telscreen and received a videotape of the concert in return. These Telscreen performances were often bootlegged, hence the existing footage of the Eagles Summit show, which has never been released officially.

According to a March 5th, 1978 article in the Houston Chronicle, the Summit’s Telscreen production crew were known to add graphics to their video footage as it was happening. During concerts, they focused mainly on whoever was singing. This explains the footage of the Summit show, which included graphics between songs and very few camera angles.

At the show, Randy and Joe both wore white t-shirts bearing the logo for Criteria Studios in Miami where the band was finishing up Hotel California at the time. In fact, the previous night’s show in Baton Rouge was held up for two hours because the band was late arriving from Miami.

In 2006, Randy recalled the grueling touring and recording schedule from this period:

We had to go out on the road while we were doing that album and then go back to Criteria Studios in Florida to finish itWe went back and forth a lot…wanted to get the tracks right and mixed right. We knew the album was special.

Interview with Ken Sharp, 2006

The less-than-complimentary review in the Houston Chronicle noted that the band looked and sounded “frayed around the edges,” this was perhaps due to their touring/recording schedule from the time period.

Below are Randy’s two lead-singing performances from the concert:

“Take It To The Limit”

“Midnight Flyer”

Click the link below to watch the concert in its entirety:
Eagles, Houston Summit, November 6, 1976

Convention Center Arena, San Antonio, TX
November 2nd, 1976

J.D. Souther opened for the Eagles.

“The turning point of the show occurred when Randy Meisner, bass guitarist, sang Take It To The Limit.’ Meisner reached incredible high, sustained pitches with his strong, forceful voice that just sent shivers up the crowd’s spines. Crazed fans screamed and dashed toward the stage, where they remained until the end of the concert. Meisner received a standing ovation that lasted several minutes. When he realized the crowd wouldn’t stop, he danced and skipped around the stage which made the audience applaud even more.”

The Ranger (San Antonio College), November 12, 1976